I love a tired out headline! But I have discovered why newspapers are dying, although I don't have robust timeline data and this may not be why readership is declining (but really if you can access it online easier...).
Saturday, June 20, 2009
The Death of Newspapers
Wednesday, June 17, 2009
Iran and Media
Lots of interesting coverage of Iran. Two things have jumped out at me. One, signs in English (I don't know how widely English is used, or if it is at all, Iranians typically speak Persian), and two, how uses of media technology to distribute information under difficult political circumstances hasn't changed all that much (only the specific technology has).
During the time of the anti-shah protests, Ayatollah Ruhollah Khomeini was exiled near Paris. His speeches were transmitted by telephone into Iran, recorded onto cassette, and then thousands of dubbed copies were distributed to his followers. Today, opposition figures in Iran and abroad are using social-networking technology to publicize their protests. Both then and now, international media—above all, diaspora Persian-language news broadcasts—play a critical role in expanding the opposition forces.Technology changes, people don't.
Sunday, June 14, 2009
Uncle Alfred in the NYT!
Well, it's not an interview, but he is mentioned up front in a non-lampooning manner in Saturday's column by Maureen Dowd. Cool!
Friday, June 12, 2009
Rights and Wrongs
Okay that's an overused perhaps too-easy pun, but relevant in this case. And what is this case? Danger Mouse's Grey Album. Yes, an old story, I know, but check out the EFF summary page. Here's the part that blows my mind:
First, it's important to understand that there are at least 4, and maybe 5, "rights-holders" potentially involved:Rights to the sound recordings and to the musical works are different? Are you kidding me? I'm not even sure what the difference between the "master" and the "compositions" are! Copyright law is totally out of control. And it's unclear who owns the rights to the George Harrison songs? Ok honestly I understand how that can be, but that doesn't mean it's a good thing.
- Owners of the rights to the sound recording ("master") for the Beatles' White Album. That's EMI.
- Owners of the rights to the musical works (songs or "compositions") that appear on the Beatles' White Album. For the Lennon and McCartney songs, that appears to be Sony Music/ATV Publishing, a joint venture between Michael Jackson and Sony. It's unclear who owns the rights to the George Harrison songs.
- Owners of the rights to the sound recording for Jay-Z's Black Album.
- Owners of the rights to the musical works that appear on Jay-Z's Black Album.
- And, possibly, the owner of the rights to the Grey Album (presumably DJ Danger Mouse).
Tuesday, June 9, 2009
Vannevar Bush, As We May Think
There is a growing mountain of research. But there is increased evidence that we are being bogged down today as specialization extends. The investigator is staggered by the findings and conclusions of thousands of other workers—conclusions which he cannot find time to grasp, much less to remember, as they appear. Yet specialization becomes increasingly necessary for progress, and the effort to bridge between disciplines is correspondingly superficial.
Monday, June 8, 2009
The Information Future's Past
The range of application of the information utility extends well beyond the few possibilities that have been sketched. It includes medical-information systems for hospitals and clinics, centralized traffic control for cities and highways, catalogue shopping from a convenience terminal at home, automatic libraries linked to home and office, integrated management-control systems for companies and factories, teaching consoles in the classroom, research consoles in the laboratory, design consoles in the engineering firm, editing consoles in the publishing office, computerized communities.Wow! Spot-on. Awesome. Apparently this piece did indeed influence later information society embodiments.
Friday, June 5, 2009
Nielsen and Sampling
For years I have heard nothing good about Nielsen's sampling. We have seen recently how Nielsen completely disagrees with Hulu's own numbers. I have seen an industry exec slam Nielsen at a panel. But now I have some idea of why, even if it's from a 1992 book -- Henry Jenkins comes through yet again, in his important Textual Poachers (pp. 29-30).
As Eilieen Meehan (1990) has suggested, despite the myth of popular choice that surrounds them, the Nielsen ratings reflect only a narrowly chosen segment of the television audience--a "commodity audience"--which can be sold to national advertisers and networks, but which reflects neither mass taste nor the taste of an intellectual elite.
Wednesday, June 3, 2009
Manipulating the Masses
Errol Morris is at it again, with another riveting series of long blog posts over at the NYT, this time about a WWII-era forger for the Nazis, Van Meegeren. Except I don't want to post about that, not exactly. I want to copy a snippet from a Göring quote, Göring the thoroughly evil man that he was, who is part of the story (since Van Meegeren was passing his forgeries off as Vermeers to the Nazis).
The people can always be brought to the bidding of the leaders. That is easy. All you have to do is tell them they are being attacked and denounce the pacifists for lack of patriotism and exposing the country to danger. It works the same way in any country.That strategy sounds... familiar...